Syllabi: Summer 06 - Spring 07DPLS 700su06 - Leadership TheoryDPLS 700fa06 - Leadership TheoryDPLS 701su06 - Organizational TheoryDPLS 703su06 - Global Systems and Policy AnalysisDPLS 708su06 - Leadership, Restorative Justice, & ForgivenessDPLS 714su06 - Writing for PublicationDPLS 714su06 - Writing for PublicationDPLS 720su06 - Principles of ResearchDPLS 721fa06 - Leadership and Arts-Based UnderstandingsDPLS 722su06 - Quantitative Data AnalysisDPLS 723fa06 - Qualitative Research Theory and DesignDPLS 723su06 - Qualitative ResearchDPLS 728fa06 - Literature ReviewDPLS 729su06 Computer Analysis Qualitative DataDPLS 730fa06 - Proposal SeminarDPLS 730su06 - Proposal SeminarDPLS 742su06 - Organizational Change and Appreciative InquiryDPLS 743fa06 - Leadership and ConsultingDPLS 745fa06 - Leadership and Personal EthicsDPLS 745su06 - Leadership and Personal EthicsDPLS 746su06 - Leadership and Applied EthicsDPLS 747fa06 - Leadership and Classical EthicsDPLS 754su06 - Leadership and SociologyDPLS 772fa06 - Art and Practice of Dialogue
DPLS 772su06 - Leadership and Aesthetics
DPLS 774su06 - Academic WritingDPLS 701sp07 - Organizational TheoryDPLS 703sp07 - Global Systems and Policy AnalysisDPLS 714sp07 - Writing for PublicationDPLS 722sp07 - Quantitative Data AnalysisDPLS 728sp07 - Literature ReviewDPLS730sp07 - Proposal SeminarDPLS748sp07 - Leadership & Feminist EthicsDPLS 756sp07 - Leadership and PsychologyDPLS 759sp07 - Leadership and EconomicsDPLS 772sp07 - Complexity and Organizational LeadershipDPLS 773sp07 - Portraits of Women & LeadershipDPLS 774sp07 - Leadership and ResilienceDPLS 775sp07 - Leadership as Vocation

DPLS 772su06 - Leadership and Aesthetics

DPLS 772su06 - Aesthetics, Creativity, and Leadership
Summer 2006                                  3 Credits

Aesthetics, Creativity, and Leadership

Leadership requires a great deal of self-knowledge, growth and acceptance.  I believe that a whole person emerges from the crucible of thought, action and reflection.  This class is specifically designed for personal growth and development, using aesthetics and creativity in the form of stone sculpting as transformational possibilities.  Stone is understood as metaphor for the soul/self; as we work on the stone, we may uncover parts of ourselves previously hidden.   This leads to a more authentic self in relationship with others, a key element in leadership issues.

The course is based on the premise that there is a psychological and pedagogic mandate in using arts as a transformational tool for personal and community transformation.  The goal is to allow the student to reflect on the process of engaging the authentic self in multiple contexts, including their theological/spiritual grounding. 

There is no requirement for any kind of previous artistic experience; using stone carving is a way of evening the experience for everyone, we are all engaged as novices in this process.  Students will need to wear clothing which will get dusty. 

An additional $35.00 materials fee will be assessed to cover:  stone, safety equipment (glasses, gloves, face masks, ear protection) files and the use of other carving tools. 

Course Requirements

Students will:

*      Complete all reading assignments and reflections before the start of class.  Blackboard will be used as appropriate for readings and assignments. 

*      Complete one or two pieces of stone by the end of the class.

*      Maintain a regular reflection practice during the class, this can be in journal format, in poetry or prose and may be send to me via Blackboard.

*      Complete a three to five page reflection paper on the effect of the transformational process.  This can be framed around any of the topics covered in class:  psychology, pedagogy, spirituality, leadership theory and practice, soul/role dynamic, etc.  This will be due no earlier than four –six weeks post-course to give you time for distilling the experience. 

Required texts:

Silvia Behrend.  “The Art of Community, The Community of Art.”  Unpublished dissertation.  Meadville/Lombard Theological School 2005.  Will be available on Blackboard. 

Stephen Nachmanovitch.  Free Play:  The Power of Improvisation in Life and the Arts (New York, Jeremy Tarcher/Putnam, 1990)

Parker Palmer.  A Hidden Wholeness: The Journey Toward an Undivided Life (Jossey-Bass, 2004)

Your choice of one book or anthology of poetry.  I am most familiar with the following poets:   Mary Oliver, Stephen Mitchell, Rainer Maria Rilke, and Rumi.  I encourage you to browse around until you find someone whose voice strikes you in some way.

Assignments Due before class starts:

*      For each text, write a short reflection (1-3 pages) on your understanding of the basic themes presented.  These may be posted on Blackboard for reading by other students.   If you use quotes, please use APA format for all papers.  

*      Be familiar with one book or collection of poetry of your choice.  We will use the poems on the first day of class.

*      For each of the three weeks before class starts, write a daily reflection process on any of the following themes or anything that arises as you begin the process of maintaining a reflection practice. 

o       Hope

o       Despair

o       Faith

o       Death

o       Suffering

o       Creativity

o       Transformation

o       Fear

o       Desire

This is designed to start you on a regular practice before we meet.   You may choose one theme a week, or simply reflect on what is most salient in your experience.  Please write at least one page daily, not to exceed three pages a day.  You may use Blackboard to send them to me; they will not be read by anyone else.

Final Assignment:

Write a three-to-five page reflection paper on the experience you had in the class as it pertains to your own particular field of study or interest in the area of leadership.  Please wait at least four weeks before you begin this reflection process.  I am most interested in what sticks to your life and what will be most useful for you. 

Methodology:

The class will follow roughly the same format each time we meet:

Movement meditation

Reflection on the process/themes

Stone work

Reflection

This class has at its core the implicit and now explicit understanding that together we will create the community and the address the needs of the individuals as we create together.  Thus, anything is subject to change and revision (except the assigned texts and assignments.) 

Grading

There are only two grades given in this class:   An A or an Incomplete.  Anyone not turning in the required assignments on time will receive an Incomplete. 

I welcome the opportunity to journey together with other souls in search of authenticity.  May the stones speak to you so that you may respond with love.